Week in Review 2019: 004

And none of this even begins to touch on the issue, “Nic Cage is a meme.” Because once you have been transformed into a hollow vector for self-replicating situational humor, you cease to be able to generate meaning for yourself.

I’ve been bedridden for the last three days. A fever, a nice wet cough, moments where I could have sworn I was going to die… The works.

Thankfully, the fever broke mid-way through Saturday and now I only sound awful. All this to say: I have watched an astounding number of movies and a fair bit of television over the last 72 hours:

Movies:

• Ant-Man and the Wasp (2018)
• Mandy (2018)
• Summer of 84 (2018)
• Mayhem (2017)
• Duck Butter (2018)
• Toc Toc (2017)
• A Most Wanted Man (2014) (partial)
• Snowden (2016) (partial)

TV:

  • Supergirl: Season 3, episodes 22 and 23
  • The Marvelous Mrs. Maisel: Season 1, episodes 1 through 5.
  • Red Oaks: Season 2, episodes 2 and 3.
  • Travelers: Season 3, episode 2.

Before it got to be as Bad As All That, I…

…watched:

  • Signature Move (2017)
  • The Autopsy of Jane Doe (2016)

…read:

  • The Mobius Strip Club of Grief by Bianca Stone
  • finished the parts of The Nightmare Factory that I’d not read before.

I’ve been chatting with folks who come into the store about the decision to cast Nicholas Cage in “The Colour out of Space” movie adaptation. And, having now seen Mandy, I feel confident in my opinion that Nic Cage is a difficult choice. His sudden appearance in Snowden is actually why I stopped it and switched to something else. (Well, that and the aggressive levels of American Patriotism.)

I think the big danger with Nic Cage is encouraging him to act unhinged. That is usually when his performance goes off the rails in terms of believability. He seemed mostly sane and O.K. in the scene that introduced him in Snowden.

He’s also one of those actors you can’t help but see when they’re acting; Nic Cage, Jack Nicholson, Keanu Reeves, Oprah Winfrey… And it doesn’t have to do with recognizability, either. Sam Rockwell, Domhnall Gleeson, Tom Hardy, Zoe Saldaña always surprise me because, despite their familiarity, they don’t get in the way of the presence of the character they’re playing.

To come at it another way: Lovecraft’s stories aren’t really about people. They rely on a sense of atmosphere and the creeping realization of what lurks beyond the human experience. It seems strange to me, then, to cast some one with an undeniable presence, someone who cannot fade into the background, on whom the audience cannot project themselves.

Lovecraft is very much a writer of un-characters. None of the people he writes, protagonists or otherwise, do substantially more than progress the plot. Whatever friends they have are utilitarian pieces of the narrative to open doorways into other, horrific worlds. Even incidental characters (other tenants, housekeepers, etc) serve some function of necessity, if only as racialized foils for the characters with whom the narrator chooses to associate.

And none of this even begins to touch on the issue, “Nic Cage is a meme.” Because once you have been transformed into a hollow vector for self-replicating situational humor, you cease to be able to generate meaning for yourself.

(Which is exactly why Nicholas Cage hates memes about himself, presumably.)

Week in Review 2019: 003

Read:

Books:

  • When I Grow up I want to be a Futurist. Badminton, N.
  • The Only Harmless Great Thing. Bolano, B.
  • “Prodigy of Dreams,” “Ms. Rinaldi’s Angel,” “The Tsalal,” and “Mad Night of Atonement” in The Nightmare Factory. Ligotti, T.
  • “Protestant and Catholics.” HPL to Frank Belknap Long, collected in Against Religion: the atheist writings of H. P. Lovecraft. 2010.

Articles:

  • “Lovecraft, Witch Cults, and Philosophers.” W. Scott Poole in The Age of Lovecraft. 2016.
  • “Weird Investigations and Nativist Semiotics in H.P. Lovecraft and Dashiell Hammett.” Brooks. E. Hefner in MFS Modern Fiction Studies, Vol. 60, Number 4. 2014.
  • Jason Colavito’s blog.

This week has been a little scattered. Whatever terrible thing I did to my wrist some time before Christmas continues apace and has vastly limited my manual dexterity and completely undermined my comfort. At least it has had the good grace to put my non-dominant hand out of commission so that I can continue to scribble. (Should I be typing? Probably not.)


Hefner’s article about Hammett and Lovecraft is really quite remarkable. It examines how Hammett’s novel, The Dain Curse, dismantles the racist ideological underpinnings of the classic ’20s detective story and/or Weird fiction tale, and how those ideas are metamorphosed into the narrative mechanics of nativist fiction.

He sees Hammett’s novel as “a broader critique of a cultural phenomenon in which bodies are seen as legible text where corporeal difference and criminal degeneracy go hand in hand.” (654)

Somewhat predictably, Hefner focuses on Lovecraft’s “The Horror at Red Hood” and “The Call of Cthulhu”.

His analysis of “Call” and Arthur Machen’s influence on Lovecraft’s views on cultural and racial “evolution” in Europe would have benefited from a greater familiarity with Lovecraft’s correspondence around Margaret Murray’s The Witch-Cult in Western Europe. Hefner mistakenly credits Lovecraft with developing Machen’s theories of a degenerate pre-Aryan European race into the atavistic cult in “Call”. W. Scott Poole’s article in The Age of Lovecraft clearly shows the link between Murray’s description of the persistent prehistoric witch-cult and Lovecraft’s “global atavistic conspiracy” (Poole, xx). I mentioned Bobby Derie’s article Conan and the Little People last week, which provides a detailed primary source examination of Murray’s influence on Lovecraft.

(Aaand I just realized last week’s link to Derie’s article was busted… It should all be fixed now.)

Personally, I am interested in how Lovecraft’s knowledge and study of history impacted his racial views. Without contesting the assertion that his views were aggressively racist and that they profoundly shaped his literary output, I nonetheless contend that he displays a nuanced (and at times inherently contradictory) view of the different “races.”

Moreover, his eugenic epistemology (to borrow Hefner’s term) engages a racist semiotics which goes beyond the simplistic “Brown people are scary” logic which is often used as a short-hand for his views on the Other. In stories such as “The Lurking Fear” and “Beyond the Wall of Sleep,” he uses a genetic determinist framework to define a degenerate or inferior class of people who, in contemporary terms, would be considered “white.” This classist dimension to his racism is particularly important, in a large part, because it continues to persist in contemporary fiction and ideology.

More on this to folllow…


Ligotti’s The Conspiracy Against the Human Race (CATHR) continues to trouble me. Bridging the gap between my instinctive and wholehearted agreement with his fundamental premises (the universe is meaningless, the self is a construct of consciousness, we turn away from this fundamental truth, clinical depression provides a clear view of this inherent meaninglessness, etc) with my equally strong reaction to the tone of his argument.

I’ve described it variably as: “Yeah, the universe is meaningless. It’s not about you, so why are you taking it personally?”; “No shit.”; and, “Judith Butler says, ‘Everything you believe to be true is an imaginary construct, including the notion that you have an essential internal identity which can be expressed in such a way that it will be seen and recognized by others.’ Ligotti says, ‘EVerYthINg yOu tHoUGHt WAs tRUe is A cONstRUcT, IncLUDiNg YouR PerCEPtIoN Of A FUndAMEntAl sELf!!!'”

This has lead me to consider CATHR through feminist and post-colonial critical lenses – drawing on Butler and W.E.B. DuBois, primarily – particularly around the question of identity and the “Self.”

This week I took an unfortunate detour when I Googled “female pessimists,” and had the priviledge(?) to encounter a thread on the official Ligotti forum. It posited a number of reasons why women might be ill-suited to True Philosophical Pessimism. A few voices defended the possibility of feminine pessimism, but overall there was a marked failure to consider the female experience as one wherein even a purported Human subjectivity plays any role.

I hope to be able to contribute something organized and coherent on this subject in the future. For the moment, I offer instead this quote from Virginia Woolf’s A Room of One’s Own:

The indifference of the world which Keats and Flaubert and other men of genius have found so hard to bear was in her case not indifference but hostility. The world did not say to her as it said to them, Write if you choose; it makes no difference to me. The world said with a guffaw, Write? What’s the good of your writing?

(52) Harcourt Paperback.

Week in Review 2019: 001 & 002

Read:

  • Dreams from the Witch House, female voices in Lovecraftian Horror. Lynne Jamneck, ed.
  • Buffalo Soldier. Maurice Broaddus.
  • Wasteland, the Great War and the origins of modern horror. W. Scott Poole.
  • People’s Republic of Everything. Nick Mamatas.
  • Isherwood on Writing. Christopher Isherwood.
  • Neonomicon. Alan Moore.
  • Walking Awake“. N. K. Jemisin.
  • “The Medusa” and “Conversations in a Dead Language”. Thomas Ligotti.
  • Conan and the Little People: Robert E. Howard and Lovecraft’s Theory. Bobby Derie.

Watched:

Movies

  • Aquaman (2018)
  • Hereditary (2018)
  • Empire Records (1995)
  • Dumplin’
  • The Fundamentals of Caring
  • [Partial] Lovesong
  • [Partial] You Might Be the Killer

TV Shows

  • The Orville
  • Bull
  • Brooklyn 99
  • The Good Place
  • Deadly Class
  • Black Books
  • Red Oaks
  • Dirk Gently’s Holistic Detective Agency (2010)

The article by Bobby Derie left me with more questions than answers, mainly: what exactly did Victorian anthopologists think was happening in pre-historic Europe? I have yet to fully understand what Margaret Alice Murray means when she speaks of a “dwarf race which once inhabited Northern and Western Europe” in her book The Witch Cult in Western Europe (1921).

I wonder which aspects of our own scientific presumptions will seem equally as arcane to future generations.

While the article is an excellent survey of the ways in which scientific racism influenced Lovecraft in his view of the world, it was lacking a strong critical voice. Given the present moment, it continues to feel irresponsible to repeat the racist and/or unsubstantiated claims of any past or current thinker without any recognition of its defects. (This was something Poole does very effectively and correctly in Wasteland, which I especially appreciated about the book.)


I have a lot of thoughts about how Aquaman, despite its critique of Lovecraft’s racist attitudes nevertheless bought in to and propagated a number of racial themes which comprise the subtle aspects of Lovecraft’s racism.

But they need a little more time to percolate.


Without getting into all of it, The People’s Republic of Everything was absolutely amazing. The novella Under My Roof which finishes the collection is a hilarious and incisive look at the nature and meaning of borders, nationalism, and citizenship.

It seemed hilariously a propos that I should find the following quote from Isherwood after finishing Mamatas’ book:

…this psycho-nuclear revolution, the invention of the atomic devices, has rendered their nationalism obsolete.

Christopher Isherwood, Isherwood on Writing. 151.

On the topic of nationalisms, I particularly enjoyed the view of an alternate North America as presented in Buffalo Soldier. I struggled with some of the action scenes in the book – my inner eye seems to like action sequences as much as my outer eyes do… Which is to say, “Not much.” But the chance to visit a North America that could have been, one where Western expansion is halted, and where the First Nations have a chance for self-determination was beautiful and heartbreaking.


I don’t want to linger on the topic as most of what I needed to say about sexual assault and Neonomicon has already been said on Twitter. But I had one interesting revelation, nonetheless.

One of the reasons I find the narrative turn from a supernatural, existential horror to the comparatively mundane horror of sexual assault so disappointing is that it is a horror which does not require aliens or time travel or a complete paradigm shift. It is merely someone opening the box of Shroedinger’s ego-death (as effected by a denial of personhood) to reveal what femme individuals have always known: Our sujectivity and agency never mattered, at all. It is not an apotheosis, but an inevitability.


Pulled from the draft pages:

The impossible will always be able to recognize itself. All monsters are kin.

06 JAN 2019

Finishing 50 Books in a Year (2017)

My reading goal in 2017 started with a desire to finish a number of the books which I had started over the past three years for the purpose of getting them off my “Currently reading” list. On the list, those books which I started before 2017 are marked with an *. I’ve sorted the books into four categories: F (Fiction), NF (Non-fiction), E (Essays), and P (Poetry). Additional notes have been provided for distinctive experiences, or other informational tidbits.

Most interesting was the way the type of book I read evolved. In the last few years, I’ve displayed a propensity for non-fiction, particularly high theory and neo-Marxist economic treatises (lots of things published by Verso and Semiotext(e)). In the name of expediency, I turned to both poetry and fiction. Around the time I picked up Bruce Sterling’s Pirate Utopia (an excellent alternate history where the short-lived Futurist state the Regency of Carnaro, does not fail), with its introduction by Warren Ellis, I determined that I should attempt to read more fiction. That path led me to The Ballad of Black Tom, the genius of Victor LaValle, and a taste of the recent spate of Tor Publications of new Lovecraftian stories focusing on the voices that H.P. himself would have overlooked.

Working with the Lovecraft Arts and Science Council opened up a wealth of opportunities to pick up more Weird fiction (contemporary and otherwise). My time with them began in earnest around October, which is reflected, somewhat, in the wealth of Weird fiction novels that make their way onto the list around that time.

  1. Foucault’s Pendulum by Umberto Eco [01.09] *F
  2. Dirk Gently’s Holistic Detective Agency by Douglas Adams [01.11] – F
  3. Long Dark Tea Time of the Soul by Douglas Adams [01.17] – F
  4. Governing by Debt by Mauricio Lazzarato [01.19] *NF
  5. Hellboy’s World, Monsters in the Margins by Scott Bukatman [02.11] – NF
  6. Citizen: An American Lyric by Claudia Rankine [????] – P
  7. Six Memos for the New Millenium by Italo Calvino [03.13] – E
  8. Pirate Utopia by Bruce Sterling [????] – F
  9. Patient by Bettina Judd [04.10] – P
  10. The Ballad of Black Tom by Victor LaValle [04.17] – F
  11. The Devil in Silver by Victor LaValle [04.27] – F
  12. The Agony of Eros by Byung Chul-Han [05.06] – NF
  13. Curious Visions of Modernity by David L. Martin [05.20] – NF
  14. Failure and I Bury the Body by Sasha West [05.26] *P
  15. No Accident by Aaron Anstett [????] – P
  16. The Panopticon Writing by Jeremy Bentham [06.03] *E (more @ this post)
  17. Slouching Towards Bethlehem by Joan Didion [06.11] – E
  18. Between Ghosts by Reno Dakota/SJ Lee [06.18] – P
  19. The White Album by Joan Didion [06.23] – E
  20. Books v. Cigarettes by George Orwell [06.24] *E
  21. Le Petit Prince by Antoine de Saint-Exupery [06.29] – F (French)
  22. The Elements of Style by William Strunk and E.B. White [07.05] – NF
  23. Frank Miller’s Daredevil and the End of Heroism by Paul Young [08.06] – NF
  24. Censorship Now!! by I.F. Svenonius [08.14] – NF
  25. A Short Guide to Writing About Film, 3rd Ed. by Timothy Corrigan [08.26] – NF
  26. Girls Omnibus by The Luna Bros. [08.30] – F (Graphic Novel)
  27. 13 Views of the Suicide Woods by Bracken MacLeod [09.09] – F
  28. Teatro Grottesco by Thomas Ligotti [09.10] – F
  29. On Tyranny: 20 Lessons from the 20th Century by Timothy Snyder [09.21] – NF
  30. The Uprising: On Poetry and Finance by Franco “Bifo” Berardi [09.22] *NF
  31. Annihilation by Jeff Vandermeer [10.11] – F
  32. Authority by Jeff Vandermeer [10.13] – F
  33. Acceptance by Jeff Vandermeer [10.14] – F
  34. Islands in the Net by Bruce Sterling [10.28] – F
  35. The Unbearable Lightness of Being by Milan Kundera [11.13] – F
  36. Looming Low Vol. 1 by Justin Steele and Sam Cowan, eds. [11.20?] – F
  37. Songs of Dead Dreamer and Grimscribe by Thomas Ligotti [11.25] * – F
  38. King Lear by William Shakespeare [12.01] – F
  39. War of the Foxes by Richard Siken [12.03] – P
  40. Agents of Dreamland by Caitlyn R. KIernan [12.05] – F
  41. Hammers on Bone by Cassandra Khaw [12.05] – F
  42. Unnatural Creatures by Neil Gaiman, ed. [12.08] – F
  43. Parasite Life by Victoria Dalpe [12.09] – F
  44. Beta Decay #1 & 2 by Andrew Jackson King [12.15] – F
  45. The Dream Quest of Vellit Boe by Kij Johnson [12.19] – F
  46. A Guide to Undressing Your Monsters by Sam Sax [12.28] *P
  47. Beta Decay #3 & 4 by Andrew Jackson King [12.29] – F
  48. A User’s Guide to the Demanding Impossible by Gavin Grinden and John Jordan [12.30] – NF
  49. Kissing Dead Girls by Daphne Gottlieb [12.30] * P
  50. City, rediscovering the center by William Whyte [01.11.18] – NF

Obviously, I extended my deadline of “the end of 2017” by a little, but I needed to motivate myself to finish City by William Whyte, not because it was bad, but because the last few chapters deal almost exclusively with the issues facing zoning boards and their habits. Without underselling my enthusiasm for city planning, descriptions of zoning board decisions don’t even have the excitement of watching them come about as one is able to do in transcripts or in person.

A list of 50 books does pretty much no one any good, however, so instead, I will tease my list of Top 10 Books I recommend after 2017:

  1. The Ballad of Black Tom by Victor LaValle
  2. Failure and I Bury the Body by Sasha West
  3. The Elements of Style by Strunk and Whyte
  4. On Tyranny by Timothy Snyder
  5. Annihilation by Jeff Vandermeer
  6. Agents of Dreamland by Caitlin R. Kiernan
  7. 13 Views of the Suicide Woods by Bracken MacLeod
  8. Beta Decay (whatever Issue you can find) by Andrew Jackson King
  9. Girls Omnibus by the Luna Brothers
  10. Kissing Dead Girls by Daphne Gottlieb

More on those ten books to follow.

The Easiest Way to Travel : five tips to help you read more.

Reading is the cheapest journey you’ll ever be able to take. It’s an opportunity to visit cities you’ve never been to, try foods you’ve never heard of, and meet people you would never be able to meet otherwise. But like all travel, it can be daunting to undertake. It is a harder choice to go somewhere new than it is to stay at home, where things are familiar and easy.

Many of us used to take these trips all the time, as children. Unencumbered by anxiety or responsibilities or knowledge, we would pick up a book and instantly be transported somewhere else. It was easy to go and easy to return to those places again and again until the adventure was over, or until we tired of it.

But adulthood brings with it all sorts of excuses to stay home and avoid these excursions into fantastic worlds, both ordinary and otherworldly. It becomes difficult to reach for a story with all the noise of Real Life clamoring on the edges of our consciousness, threatening us with the spectre of “not enough time”.

Nevertheless, for those who wish to get back to it, I have five tips to make it easier to get back to traveling.

1. Audio books

Everyone is busy. Finding the time to get anything done can be a challenge. From obligations, to desires, to necessities, it can be difficult to fit it all in around the rush of chores and commutes and commitments.

There is an option for people who want to do two things at once; audio books leave your hands free. If you’re able to listen while you fold laundry, cook dinner, or drive to work, you have plenty of time that can be used to find out what happens next in any book of your choice.

For anyone who listens to podcasts, this is a great option. It’s just a matter of switching content, rather than form. This is not to say that you need never listen to a podcast again, but if you’re feeling starved for the experience of reading a book, you don’t have to rearrange your entire life to find a way to fit it in.

Even better, if you’re willing to read something a little bit older, plenty of people make use of works that are out of copyright to make audio books, and upload them for free on YouTube! Rather than signing up for a service like Audible right off the bat, try The Adventures of Sherlock Holmes
or an Edgar Allen Poe story first.

2. Ebooks

Others, like me, might find the idea of someone reading to them grating. I grew up with my father reading me The Hobbit and Harry Potter and Alice in Wonderland, while I had a few Maurice Sendak stories on tape and an audio book of My Father’s Dragon I love my father’s reading voice best. I’m not willing to trade the experience in for anyone else. I’d rather hear the stories in my own head, than aloud in someone else’s voice. But that doesn’t mean I’m out of options.

Despite the fact that ebooks lack much of the tactile experience of book books, that doesn’t mean they must be dismissed entirely out of hand. If you’re trying to read something really thick, like David Graeber’s Debt, the first 5000 years which clocks in at a whopping 700-odd pages, you might not want to carry it around in your bag on the off chance you find some time to read a few pages.

Likewise, on a crowded commuter train or bus, you don’t necessarily want to pull out a book of any size, wrestling with your bag, finding a comfortable position to hold it, worrying that you’ll poke someone around you with the corners, or, perhaps worst of all, fearing someone might read the cover of the book and judge you or attempt a conversation with you about it. It’s a minefield. Ebooks provide a clever way around those problems.

I read most of Victor LaValle’s The Devil in Silver on my tablet going to and from campus during my last semester at school. However, I also read bits and piece of it, and Bruce Sterling’s Pirate Utopia on my phone when there wasn’t room to pull my tablet out, or I was running errands that didn’t require me to bring it along. Most ebook services, be they from Google, Amazon, Apple, or someone else, will let you sync your current page across devices, so you can pick up where you left off, regardless of which device you were reading on at the time.

3. Change your habits

Reading ebooks on you phone brings me to my most important point: don’t just change how you read, but what you read.

The average American spends approximately two hours a day on social media.1 That’s a lot of time. Most of the time you’re on social media, you’re reading something whether it is tweets, facebook statuses, or captions for cute cat pictures.

I’m not here to rail against social media. But if you put your ebook app next to Facebook, or Twitter, or Instagram, whichever app is your vice of choice, you’ll be giving yourself the option to choose whether you want to look at pictures of a vacation you didn’t take, food you haven’t eaten, or people you haven’t spoken to, or whether you want to take a trip somewhere you’ve never been, eat food you’ve never encountered, or meet people you’d never be able to meet.

You don’t have to replace social media with books completely, even if you just spent half as long on social media, you’d be reading seven more hours a week than before. That’s a lot of reading.

4. Start small

Maybe seven hours won’t let you read all of Umberto Eco’s Foucault’s Pendulum (600+ pages), you might not even be able to get through all of Douglas Adams’ Dirk Gently’s Holistic Detective Agency — but you can probably finish three stories from Raymond Carver’s collection, Cathedral.

It can be daunting to face down an entire book or novel when you’ve been out of the reading game for a while. But that’s why we have poetry, short stories, and essays. There are plenty of stories which will transport you which can be read in seven hours. You might try Italo Calvino’s Invisible Cities which will take you to a new city with every page turn. Or you could read the short stories of Robert W. Chambers (which are in the public domain), or discover the absolute genius of Victor LaValle’s The Ballad of Black Tom which is only 100 pages.

Equally you could read the essays of James Baldwin, or enjoy the desolate road trip in Sasha West’s poetry collection Failure and I Bury the Body. The worlds of poetry and short fiction are sterling examples of the adage “Less is more.” They have the added benefit of helping you get used to traveling. It’s a weekend in New York City or New Hampshire, rather than a week long stay in Paris. Once you’ve whet your palate with the more manageable reading lengths, you’ll be ready to launch yourself headfirst back into novels, biographies, and history books.

5. Set goals

Everyone has a bit of a competitive streak in them. Maybe you have a friend you challenge to seemingly impossible tasks (like who can read the longest book), maybe you have a coworker whom you look up to because they seem to be able to do it all — and then some, or maybe you like to push yourself to achieve new markers of success. Not everyone is up for the quantification of their lives, but humans love to watch numbers increase.

With that in mind, maybe you set yourself a goal of how many pages you want to read a day, or how many books you want to read a month, or you have a list of “Great Books” you’d like to read before you die. But give yourself something to work towards, because sometimes, the most satisfying part of a reading experience, is finishing the book. As someone with a tendency to read political and economic theory, there are lots of books I read with the goal of finishing them. The experience is always entertaining and illuminating, but there are stretches where I find myself thinking “just 10 more pages to the next section, just 5 more pages, just 3 more…” and then I put the book down and go do something else, like watch TV or take a walk while the information percolates.

Personally, I set myself a goal of finishing 50 books by the end of the year. I decided to exclude graphic novels, but I’ve allowed myself to include poetry collections. I look at my list and I’m proud to say that with 33 books read I’m over halfway through, although I can still see myself sliding in under the wire on December 31st, to get to that sought after fifty.

What I like about my arbitrary numeric goal is that it leaves me free to read whatever I want. I’ve also let myself include books I started reading years ago, but never finished. At the same time, I’m pushing myself to read more fiction, rather than only theoretical nonfiction.

Your goals don’t have to be immediately clear. You’ll find that the more reading you do, the more motivated you are to do certain types of reading. The loveliest part of coming back to reading is remembering the joy of the process. With every book you read, you learn something new about yourself, and you are reminded of the places you’ve always wanted to go; literary fiction, historical fiction, geopolitical analysis, science fiction, historic essays.

So, take what you will from these little tidbits. Get back to reading, and give yourself the time to get away from Real Life. Go somewhere you’ve never been, eat something you’ve never heard of, meet some people who you’d never be able to meet otherwise.