Tag Archives: journalism

Ride Share Profiles II

E.

10 October 2017, UberX.

E. drives a shiny, new looking, red Toyota Camry. I only know the make of the car, because I remember reading it off the Google maps page with my UberX ride information. It’s weird to realize that I can see the route suggested by the app displayed on my own screen while this stranger drives to pick me up. I find myself critiquing the algorithm, because I have my own ingrained routes which offer themselves automatically when I register someone’s location.

He’s not quite my father’s age, but nevertheless, he reminds me that the sharing economy is not, as promised, a source of income for young workers looking to make some extra cash, but a source of income for people of all ages.

It’s nearly eleven in the morning, and he’s driving me to work in downtown Providence. I missed the bus and figured this is what the so-called “sharing economy” was made for: using someone’s side gig to get to my own side gig.

I ask him how he’s doing and he’s cheerful. His radio is tuned to 95.5 FM, which used to be WBRU – Brown University’s student radio station – but was recently sold and now broadcasts Christian rock music. I wonder if it’s a hold over, or if it’s a recent addition to his radio presets.

It turns out he’s from Puerto Rico. He tells me he still has family there, his mother and his brother. I ask how they’re doing and he says they’re fine. The house is made of concrete and withstood the weather, they have water from the ground, and his brother had bought a large generator. They have water and power, so they’re alright, he says. The only problem is food; the supermarkets are only letting people in 10 at a time to avoid mayhem and to ensure that people only take a few of the things they need, rather than everything. If you need batteries, you can only take two packets.

He asks me if I’m going to work, I say that I am, and that I usually take the bus, except that I missed it this morning. He tells me about how he took the bus once, in 1991 with his kids and said “never again.” The next year, 1992, he got a car. I mention that the bus is always crazy, always somebody having some problem on the bus. (The two bus lines which run near my house run between two transit centers and one runs between hospitals. A large portion of the regular riders are people who make use of the city’s human services – you see a lot of colorful characters, and hear a lot of interesting stories.)

E. tells me that he used to ride the train when he lived in New York. Always there were people who would get into fights and cause trouble. If a seat opened up, you’d have to deal with other people who wanted to sit there, regardless that you’d both been waiting for it. He’d often let other people take it, he says, he doesn’t know if the person who was sitting there was sick. Better to avoid the fight and the uncertain cleanliness. He’d wait for the seat to get cold, he says.

I ask him about living in New York; how long did he live there?

He went in 1977, three months before the Blizzard of ’77. He never forgot it, he says. At the time, he’d been living in an illegal basement apartment. There was no door leading to a hallway on the inside, only a door to the outside. When the snow piled up, there was no way for them to get out. The landlady didn’t want to call the cops or the fire department because the apartment itself was illegal. They were stuck there for days, eventually, she did call the fire department. When they showed up, they cut a hole in the floor of the kitchen and pulled everyone out. No more basements apartments after that, he said.

He asked me about my parents, I said that both of my parents had been born here, in Providence, but that my mother’s family was Greek, and my father’s father was Puerto Rican, but grew up in New York, and my father’s mother was from Ohio. So you have Puerto Rican blood, he asks. Yes, I say. But you’ve never been there? No, I tell him, but I’d really like to go sometime.

He tells me that July is the best month to visit Puerto Rico. Every day is a carnival. One day they’ll close one street, the next they’ll close another. It’s the best month to go on vacation. He always tells people to visit Puerto Rico in July. Wait for them to get everything back to normal, and go on vacation in July. I tell him I’ll do that.

I really hope I’ll have the chance to do so.

2016.11.28 : pipe dreams

Thanksgiving is come and gone. 

It has been hard not to think of William S. Burroughs’ Thanksgiving Prayer, especially the last line:

Thanks for the last and greatest betrayal
of the last and greatest
of human dreams.

(Content Warning for the poem: racial slurs, anti-gay slurs. Un-varnished representations of America.) 


I read some good bits of advice for weathering the new political climate, both are making the rounds, but a little extra time spent on them won’t be wasted:

Annalisa Merelli’s piece for Quartz, regarding what the US body politic and the US media can learn from Italy’s experiences with Silvio Berlusconi. Namely, that fighting the man does little good, because as Trump has said: All publicity is good publicity. (And the man is a reality TV star, he surely knows what he’s talking about.) We need to refocus away from a critique of his personal or moral foibles and failures, and re-engage with what matters. That means it’s time to (finally) talk policy. 

The other is from Nic Dawes, appeared in the Columbia Journalism Review and made the rounds, at least in the arenas I’m familiar with (it’s all algorithmic and doubtlessly intended to keep me deep in my comfort zone). Dawes is concerned with preparing American journalists for a level of hostility and restricted access they have never encountered before. The freedom of the Press and, more importantly, the importance of the Press is something that has been taken for granted in this country, and ostensibly enshrined in our founding document. It has weathered difficult times and difficult moments before, but never has it faced the total rejection and defamation that is being put forth by the President-elect and his political entourage. 


On the matter of the press, part of me despairs. The calcification of the federal government was at least periodically tempered by the actions of the Press (though not with anything near the level of effectiveness that was necessary). Without any voices playing even nominally playing the role of dissenting opinion or considered criticism, I fear we face a necrotic rather than a merely ailing infrastructure of governance. 


Most of all, fear is what keeps me up at night. If this shock, this pain, this anger continues as it is, and fear sets in long term, we will be lost. The forces of power need us divided and overwhelmed. We must imagine new ways of being, and living, and speaking that will allow us to push back against those instincts to circle the wagons and protect our own. 

Maybe I’ve been watching too much Supergirl lately, but it seems like this moment––when things are dark and bleak and uncertain––is when we must hold out our hands and try and help each other stand. 

Building the “Personal Brand” — On Internships

There is a tension between the “personal brand” and the brand of the larger entity one works for.

It is especially true for interns. The intern has essentially agreed to work for free to “pad their resume” or, in other words, build their personal brand.

For people of certain skill-sets, the “personal brand” is less important. If you’re an engineer, or a student of another applied science, you can present lab work and other concrete examples of work you have done or participated in, and be judged on that (often you already have been, if a study is published and peer-reviewed).

But those who fall into a more “artisinal” category (designers, journalists, artists), people whose work is both becoming excessively commodified (“oh anyone can write/throw a webpage together/et. al.”), need a portfolio that clearly displays their skills to acquire work. With these areas becoming increasingly free-lance, it is even more critical.

Continue reading

Graffiti, Photography, & Writing about Art.

Second in a series.

I still haven’t solved the problem of how to present graffiti. But I’m trying my hand at the first step: collecting all my data in one place.

At the moment, my formal organizational system is in the form of “sets” on Flickr. I made a collection that contains all the sets I’ve made of my ever-expanding collection of photos of graffiti. I still need to get some of the pictures I’ve taken on my phone around both Providence and Amherst/Boston, and marshal them into order. But for now, you have a curated collection of street art from Athens (Summer and Winter of ’09, then Summer ’12 and ’13), London, and a small one from Montreal.

But the predominant struggle here is one of How to Write About Art. Continue reading

Cops, anarchy, and feather boas.

Police by aeroplang
Police, a photo by aeroplang on Flickr.

Cops are a state apparatus that make me really nervous. Usually I avoid even looking at them, if possible. Much less talking to them, and almost never taking their picture. But during Athens Pride, I couldn’t pass up on the opportunity to capture all of these young men standing, watching the parade go by. Continue reading