Category Archives: Journalism

Starting with the Bechdel Test

Let’s start a conversation with the Bechdel Test. Now I might be beating a dead horse here, but I’ve recently realized that knowledge of the Bechdel Test is not as widespread as I thought it was. I’ll drop it into conversation and people will suddenly look confused and I’ll have to backtrack and explain what it is.

The Bechdel Test

The Bechdel Test, alternately called the Bechdel/Wallace Test, the Bechdel Rule, Bechdel’s Law, or the Mo Movie Measure, is a simple set of rules that creates a rudimentary set of standards for female representation in movies (personally, I apply it to television as well). It made it’s appearance in 1985 in Alison Bechdel’s comic Dykes to Watch Out For.

Dykes to Watch Out For, 1985.

It has three rules:

1. A movie must have 2 female characters

2. They must have a conversation.

3. About something other than a man.

In theory this shouldn’t be too difficult to achieve. I would like to invite you now to take a moment and think back on the last five movies you saw and see if they pass the Bechdel Test. Continue reading

Lessons from the X-Men

I look at what’s happened, and still happening in Ferguson, the attention we’re currently paying to the senseless, needless deaths of young black people in this country, but I think also of the tallying every year of the deaths of trans* folks, the numbers of deaths and violations for native, black, and latina women, I think of the challenges women face daily. And somehow I end up at the X-Men.

Now, you probably think, “what the hell does a comic series/Marvel superheroes/beloved movie series and/or acclaimed series reboot have to do with all this serious political stuff?” or you might have just stopped reading.

But there is something very important lurking in the X-Men, and in that something is the reason why the X-Men are both so successful and often the only superhero comic non-superhero comic reading people have fallen for (Watchemn excluded, that is a discussion for another time). Continue reading

Providence Graffiti : a collection

(Originally completed on July 22, 2014. Retroactively published on September 1, 2016.)

It’s been six months since I started making an effort to share and catalogue the graffiti I see around Providence. Going through and actually figuring out what I’ve photographed since last December shows exactly how selective the process of sharing it can be. Some of them, I’ve photographed and posted elsewhere, some I’ve photographed and it’s sitting unlabeled and, for all purposes, forgotten, on a hard drive or SD card. But this is what I’ve posted to social media. This is the stuff that was striking enough, odd enough, and, in a way, carelessly enough catalogued to make it onto Instagram.

I only post to Instagram from my phone, I do my best to geotag everything that is worth a visit by someone else, for which street art, whether in spray paint, sticker or other format, definitely qualifies. Geotagging also helps create a physical record (to the best of my phone’s feeble GPS capabilities) of where this art work resides or as is often the case, once resided.

Rlyeh: the home where Cthulu sleeps. The absolute ingenuity of this tag in Providence has made me happy absolutely every single time I’ve seen it. I’m, over all, not super fond of tagging as a practice because it feels juvenile to write the same thing 15 times on the same block (we get it. you were here. even though we don’t know who you are). But this one set me off to document our Providence street art in greater detail.

This ant did not start it’s life on a sticker: I first saw it as a paste on poster or as a stencil spray painted on the ground (I’m having trouble remembering exactly which one). It also did not just stick to one part of the city, I saw it on the East Side and near the Gano St. highway exit. Probably 2 years ago.

I liked the combination of the little girl carrying the weapon and “IRL Facebook is boring” — although they are not technically the same sticker, they appear to be a pair. This instance is from Wickenden street, but they also appear up on Waterman, and a free paper box that got pulled from the streets and sits next to the door of the building housing Motif has “IRL Facebook is Boring” on it as well.

I am particularly fond of the art on this one. I wish the artist would make more of an appearance, but I might also have missed them by a little bit, since it could come from any manner of quarter of college student, and they could have been transitioning either to or from Providence. It’s gorgeous and a break from a lot of the more sarcastic, ironic, or otherwise knowing stuff we get (as is befitting of street commentary).

This is one of those instances where this is one of the records of something that no longer exits. This sticker went the way of the pay phone it was attached to. It suffered a rather ignominious death, and eventually disappeared from next to the Hope & Doyle RIPTA stop, outside the Y. The art itself remains pretty inscrutable, all the same.

I feel like this sticker is a lazy-man’s tag. But it also fits into a carefully defined slot that exists in the Providence sticker scene: advertising. The guerilla advertising movement is alive and well, with stickers appearing on the fronts and backs of all kinds of signs to raise awareness for everything from food trucks, to bands, to restaurants and cafes, or even people’s personal brands: touting their website so you can check out their cool design abilities.

big robot sticker

My mother firmly believes that this is not a misspelling of “Engels” as in “Fridrick Engels”

hiya

@serpentgod

politics on the street

now!

rabbit!!!

selena gomez

Building the “Personal Brand” — On Internships

There is a tension between the “personal brand” and the brand of the larger entity one works for.

It is especially true for interns. The intern has essentially agreed to work for free to “pad their resume” or, in other words, build their personal brand.

For people of certain skill-sets, the “personal brand” is less important. If you’re an engineer, or a student of another applied science, you can present lab work and other concrete examples of work you have done or participated in, and be judged on that (often you already have been, if a study is published and peer-reviewed).

But those who fall into a more “artisinal” category (designers, journalists, artists), people whose work is both becoming excessively commodified (“oh anyone can write/throw a webpage together/et. al.”), need a portfolio that clearly displays their skills to acquire work. With these areas becoming increasingly free-lance, it is even more critical.

Continue reading

SGA Elections: how much is too much truth?

This piece currently occupies pride of place amongst all the work I’ve done at WMUA this year.

It’s not the most complex, nor is it necessarily the most interesting piece. But I worked hard, and people helped me when I needed them to, and we got a solid piece of reporting (informative and well-produced) out to our listeners on air, and then online, in a timely and relatively stress-free fashion.

Sure, it’s a political retrospective, but one that I believe is necessary.

The UMass Amherst Student Government Association elections, this year, have been singularly complicated, badly executed, and frustrating. Continue reading