Once you get beyond the area given over to a state of nature, overshadowed, as it is, by the swirling malignancy of Calamity Ganon where he-it teems around Hyrule Castle, you quickly realize that you are far from alone. Beyond that immediate desolation and its ghosts, the rest of the world is populated with entrepreneurial spirits, adventurers, travelers, inventors, villagers, and fanatics.
Maybe Warren Ellis is in my head, or maybe what he and Jason Howard achieved with Cemetery Beach is just genius, wrapped in subtlety (a shocking claim, given the number of explosions it contains) wreathed and garlanded in weirdness. If you want to know what’s going on, if you need answers, if you enjoy carefully … Continue reading No detours, a review of Cemetery Beach
DISCLAIMER: I do have a personal connection with Avi Silver, the author of this work. We met in freshman year of college and roomed together the following year. It is up to the reader to decide if that kind of intimacy and co-habitation makes a critic more or less likely to extend unreasonable courtesy towards … Continue reading Trials of Communication and Triumphs of Empathy, a review of Avi Silver’s Two Dark Moons
I figure blogs are also the place to put all the darlings you had to kill in the process of writing—you know—real people stuff. So here is an entire section about human evolution that had to get cut from my post about the role of genetic determinism in Aquaman. Obviously, the DCU is not contingent … Continue reading Degeneration, Aquaman redux
Even as Aquaman rejects notions of racial purity and as it celebrates the possibilities inherent in hybridity and change, it still falls back on narratives of genetic determinacy and degeneracy. These ideas are inextricably linked to the eugenic epistemology which defines the supremacism the film is trying to critique.