- Dreams from the Witch House, female voices in Lovecraftian Horror. Lynne Jamneck, ed.
- Buffalo Soldier. Maurice Broaddus.
- Wasteland, the Great War and the origins of modern horror. W. Scott Poole.
- People’s Republic of Everything. Nick Mamatas.
- Isherwood on Writing. Christopher Isherwood.
- Neonomicon. Alan Moore.
- “Walking Awake“. N. K. Jemisin.
- “The Medusa” and “Conversations in a Dead Language”. Thomas Ligotti.
- Conan and the Little People: Robert E. Howard and Lovecraft’s Theory. Bobby Derie.
- Aquaman (2018)
- Hereditary (2018)
- Empire Records (1995)
- The Fundamentals of Caring
- [Partial] Lovesong
- [Partial] You Might Be the Killer
- The Orville
- Brooklyn 99
- The Good Place
- Deadly Class
- Black Books
- Red Oaks
- Dirk Gently’s Holistic Detective Agency (2010)
The article by Bobby Derie left me with more questions than answers, mainly: what exactly did Victorian anthopologists think was happening in pre-historic Europe? I have yet to fully understand what Margaret Alice Murray means when she speaks of a “dwarf race which once inhabited Northern and Western Europe” in her book The Witch Cult in Western Europe (1921).
I wonder which aspects of our own scientific presumptions will seem equally as arcane to future generations.
While the article is an excellent survey of the ways in which scientific racism influenced Lovecraft in his view of the world, it was lacking a strong critical voice. Given the present moment, it continues to feel irresponsible to repeat the racist and/or unsubstantiated claims of any past or current thinker without any recognition of its defects. (This was something Poole does very effectively and correctly in Wasteland, which I especially appreciated about the book.)
I have a lot of thoughts about how Aquaman, despite its critique of Lovecraft’s racist attitudes nevertheless bought in to and propagated a number of racial themes which comprise the subtle aspects of Lovecraft’s racism.
But they need a little more time to percolate.
Without getting into all of it, The People’s Republic of Everything was absolutely amazing. The novella Under My Roof which finishes the collection is a hilarious and incisive look at the nature and meaning of borders, nationalism, and citizenship.
It seemed hilariously a propos that I should find the following quote from Isherwood after finishing Mamatas’ book:
…this psycho-nuclear revolution, the invention of the atomic devices, has rendered their nationalism obsolete.Christopher Isherwood, Isherwood on Writing. 151.
On the topic of nationalisms, I particularly enjoyed the view of an alternate North America as presented in Buffalo Soldier. I struggled with some of the action scenes in the book – my inner eye seems to like action sequences as much as my outer eyes do… Which is to say, “Not much.” But the chance to visit a North America that could have been, one where Western expansion is halted, and where the First Nations have a chance for self-determination was beautiful and heartbreaking.
I don’t want to linger on the topic as most of what I needed to say about sexual assault and Neonomicon has already been said on Twitter. But I had one interesting revelation, nonetheless.
One of the reasons I find the narrative turn from a supernatural, existential horror to the comparatively mundane horror of sexual assault so disappointing is that it is a horror which does not require aliens or time travel or a complete paradigm shift. It is merely someone opening the box of Shroedinger’s ego-death (as effected by a denial of personhood) to reveal what femme individuals have always known: Our sujectivity and agency never mattered, at all. It is not an apotheosis, but an inevitability.
Pulled from the draft pages:
The impossible will always be able to recognize itself. All monsters are kin.06 JAN 2019